Friday, October 9, 2009

Lawren Harris in 1961 Television Interview with Percy Saltzman



Here we fnd Percy Saltzman interiewing 75 year old Lawren Harris. He discusses his own background as an artist, and as a member of the Group of Seven. Saltzman asks Harris if the thought of dying scares him. Harris touches lightly on Theosophy.

The group was not an organized group, and there was no head of the group or collaboration on their art.

Percy Saltzman challenges him on his stylistic move into abstraction, by saying that abstract art "doesn't relate to people and their experiences." Harris, gives a thoughtful, examination of himself as an abstractionist. Saltzman persists and says, that someone called abstraction a nightmare of geometry.

"99% of present day painting is going down the drain, says Harris..........but this is no different then any other age."

appx 20 minutes

1 comment:

Thank you for posting your comments.
ATTENTION SPAMMERS: Comments with links to other websites, will not be accepted.

A message for anonymous posters: Comments will be accepted provided they are thoughtful and articulate.

Reciprocating comments between posters will not be accepted. Sorry - I have no intention of giving readers the opportunity to engage in flame wars. It won't happen.

Fredericks-Artworks Blog, copying policy


The Canadian Copyright act, section 29 reports on fairdealing, that it is not an infringement to reproduce someone else's work for research, study, criticism, review or to report. Which pretty much sums up what this site is about. All content sources, be they artists, printed references, and website url's are respectfully identified on this site. http://http//www.canlii.org/en/ca/laws/stat/rsc-1985-c-c-42/latest/rsc-1985-c-c-42.html

Mission Statement
A Portrait of the Visual Arts in Canada, is intended to celebrate the richness of Canada's visual arts, and to promote the arts in Canada.

Statement of Intent
I make every effort to credit the sources of information used in this blog and to obtain the permission and cooperation of all the works presented by living artists. I try, as much as possible to use works from public sources eg. national and provincial collections, of deceased artists. If for any reason, any artist disapproves of anything written about them or their work the artist is encouraged to request withdrawal of the content.